Thrashley's Stencils Summer 2008

When I first met Thrashley she was a young activist with a million ideas and the energy to work on them all. She was one of the first people in Portland who I really connected with on the level of direct action and creating art for the greater good. We both volunteered at an ancient indie movie theater and spent time talking about possible street art projects and bouncing ideas around. She told me about her interest in stencil making and showed me some of her stencils around town. They were simple but meaningful, images of her cultural heros, or direct political statement. 2 years went by and I noticed a few new pieces popped up on her photobucket page, notably the starving child, which has now undergone several transformations and applications.

Her hand cut lines were smooth and well defined and a greater sense of overall design seemed present in the final pieces. At this point she was combining images to create a sense of perspective, or setting, as well as using multiple layers to achieve greater detail with individual images.

In the summer of 2008 we found ourselves living together in a collective house of artists, and in that space dedicated to the creative process, her work really began to take on a whole other dimension. She has always been politically and socially active, and with that as her driving point, she went to work on creating images that would speak her mind. Images of young women and girls started popping up, with reflective personal statements.

At this time she set out to create as much work as she could with the goal of hanging the pieces in the street to enrich the local community. This project grew and became a larger effort involving many people, but it was her original action and continued effort that made it come together. You can read more about this at one34.wordpress.com.


Through these projects she has come to view her work not so much as "art" to be enjoyed, but rather a point from which to engage the community around her and express her views. This focus is driving her new work, which juxtaposes images from The Great Depression with those of The Consumer Ideal.

I recently had the good fortune to watch her through the entire process of creating a stenciled image. We captured it on video and added some music from our friend Shermstixx:



Her work continues to grow, and as we set out across the country to put it up in new places, I wonder how that story will affect the work and vice versa. She has a talent for being direct, and taking action, and the combination will only result in continued free expression. Who knows, maybe you will end up with a stencil mural in your favorite cafe!